Movie mulholland drive driver#

The driver stops unexpectedly and points a pistol at her.

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Then the movie proper starts, with a few parallel stories: In one, a gorgeous woman is in the back of a limo, climbing the winding curves of Mulholland Drive above Los Angeles. Then there's a few seconds of a red blanket breathing sounds pulse on the soundtrack. Then we see washed-out superimposed footage of a young woman with a sort of beatific homecoming queen smile on her face. Here's the basic plot: The film opens with garish, distorted footage of people jitterbugging it's a hellish version of a Gap ad. So stop reading now if you haven't yet seen the film.

What follows includes a synopsis of the plot and then questions and answers about what in the world is going on in 'Mulholland Drive's' strange universe. Still, of recent American movies, only 'Memento' is remotely as challenging, and it's still almost impenetrable on first viewing. For aficionados, there are red herrings that will maintain many a debate, but others will suspect that Lynch is finally coming out and telling us what he's all about. All the themes that cycle through his work - strange figures pulling the strings behind the scenes, random acts of extreme violence, bizarre character fixations and the feeling that the surreal is an active part of our everyday life - are present here, but he's tied them to a narrative structure that, in the end, resolves itself. Indeed, it may be the most conventional and coherent of Lynch's 'hard' movies ('Eraserhead,' 'Blue Velvet,' 'Twin Peaks,' 'Fire Walk With Me,' 'Wild at Heart,' 'Lost Highway'). Beyond that, the narrative is intricate and playfully surreal rather than opaque and frustrating. 'Mulholland Drive' is a movie along those lines, though its filmic palette is broader, its setting (Hollywood and the film industry) more portentous, and its themes plainer. That was just one puzzling development in a film whose plot was regularly described as a Möbius strip by reviewers. He then, without explanation, turns into the 20-something Balthazar Getty and is released from prison, and the movie goes off on a new story tangent. In that film, the 40-something Bill Pullman languishes in a locked prison cell. In this way, the film is similar to Lynch's 'Lost Highway,' his cinematic scud missile of 1997. Bits and pieces of plot dribble out characters appear and disappear the film takes an incomprehensible turn two-thirds of the way through and there seem to be three or four disparate story lines that have virtually nothing to do with one another.

'Mulholland Drive,' the latest feature from director David Lynch, is exhilarating - two hours and 25 minutes of macabre thrills, highly charged erotica and indelible images.